Wednesday, July 23, 2014

node controls

thriving worms the
counter swallow in
digests the teeth and
telephone pocket
vibrated with the
letter suits and
lusty nails or
frenchfries in the
shoe cylindrio
puncture retinal
whirling beneath
the hat cloudy turn
ips’ insect shirt
your fraud photo
capitapit your
cesspit choking in
the fingered gasoline
the week the week
the week the week
the week the week
the week the week
potential chicken
fuck executive
language spieliologist
reinforms the vis
ual caterpillar
pickled in the
basement’s meat
tree nut attrition
center

begins ,explodes

  
With sacrifices from Jim Leftwich’s
Six Months Aint No Sentence, Book 80, 2014



dire fonética

flickering mountains sleep de
Guatemuz las sombras se
lanzan to lose a finger de
sus tumbas polvorosas al
phabets of winged altares
serán sus trickling seconds
siervos miserables buried
in the grass back again entre
dolor y entre cadenas the
trees y tanta sangre ruins
of palaces de los surcos
con sudor que humea
en los campos empty
in the flooded eye
the dark torrentes
possessed by dust y
recuerdos de the
first letters the
names of nieblas densas
incoherent mass de los
males del hombre mor
ning glory and somnolent
water serán las fuentes
del saber why didn’t
you call why d
idn’t you call el
universo os contempla
vosotros flickering red dots
seguirán encendidos a porfía

  
After Ivan Argüelles’ “orphic cantos, 49”, 2014,
& José María Heredia’s “Oda a los habitantes
de Anáhuac”, 1822.





dire fon

week week week week week
week week week week week
week week week week week
week week week week week
week week LUNCH week week
keep it keep it keep it keep it
keep it keep it keep it keep it
keep it keep it keep it keep it
keep it keep it keep it keep it

ética

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