abyss del minuto

noon’s cracked de mármol el

sueño the room’s dead horn

hasta mí desciende to the

espejo de catorce cielos the

other side’s vacuum floor

con remos de diamante some

one nods el nudo desatado

irreducible smell in the

thirsty bed dorada de

dormidos girasoles the nerve’s

tip las flojas manos wet

rugs listening en una luz

sin cambios into the center

espada del agua on the tongue’s

rim )sobre su cama de piedra

Stygmatic view of Ivan Argüelles’

“hyde park 1961”, 2013 &

Juana de Ibarbourou’s Perdida, 1950

cir cle li ar

sh oe de cay de vide

punk e raw pre pare

sat ellite la bor ma garde

e qual ex ex per ience

veg a ta ble soc io logy

dan ger colo sec or pi

ppie en joy mob ile pro

vide i dle we apons ma

chine an y way

v iews cab bage his s

car rot ork h ats wrin

kle vaz oil f unk ket

tle dit to tri an gle jel

ly wig wam doc u ments

ad mire ey e lev el

cos tum es suc ceed pi

ano t apes bath room

net wor ked clos et

Tonguing through Jim Leftwich’s

Six Months Aint No Sentence, Book 57, 2013,

& Bryce & Sherman’s The Aldine Speller,

Part Two, 1916

material desvelo

la que no se nombra clings

not unto roads and rot las

flojas manos redress shut

turbio espejo finished fishing el

lobo ahito active at best la

imágen desceñida stinks

dollars and ola en el pecho

sandstorm esponjándose en la

sombra entry gently eggs az

ure ay espada del agua ay

robber hand and jumper cables

drunken sun la luz se muerde

a sí misma ,eel aura ,machete

de la canícula address so

privately the group fate

cual una apretada venda

stitched cultura identity y

la evasión irónica del metal

Awake in Jim Leftwich’s

Six Months Aint No Sentence, Book 58, 2013,

& Juana de Ibarbourou’s Perdida, 1950