reverse the glass

her name is dominant engine

hair is books composed of

memory syringe sky and

fire computer nursing bot

tles burning mouth is

I forget the toothache as

bestos secret gestures name

is rain and homilies a

vacant room the shitter

body losing all prurient rights

bitter migraine skeleton a

descendant sword uncounted is

and and a shudder in the

bee-hive hairdo desproportion

ate to the useful lexicon

culture name is evanescence

shadowed in progressive ghost

vowels guessed charades

is empty parking lot and

logoglyph her name is useless

revulsion mispronounced sang

urinary practice barking at the

face mingled imaging of the

filthy glass the mutant mono

tone the hushed woof sitting

witless can cannot uh be reversed

  

The path through Useless Preface to a

Romantasemic Writing by Jim Leftwich,

Théophile Gautier, and Olchar E. Lindsann; &

Ivan Argüelles’ “orphic cantos”, 61; 2014.

meat skirts

absorb again at nothing

new the gap wake cover

age changed a daybreak

damage period shining

broken ledge in shows

couch booklet whitening

formlessness off my eyes

eats the snail fate flu

ctuating gasses sleeping

atoms wagglers in the

other water recycled a

byss the early speech

explains fable explains

trash cans spool lightning

rushing car biriicyclir

breath snatch the oogglers th

umbnail consciousness verbs

hover in the hill your

venom memory poetry fe

ver in the basement clod

talking over one eye

produced ink doom reflects

the pain of shshoes un

loading hhistory in the

stapled cave of random

swarms ay dog bees

tousled sleep’s traffic

attention ,barely percep

tible bat cigarette

  

The trail through Ivan Argüelles’

“orphic cantos”, 62; & Jim Leftwich’s

Six Months Aint No Sentence,

Book 81; 2014.