Wednesday, December 10, 2014

the sleeper’s ear

(root claw) telling ex
perience heaps fixed to
clouds y ese olvido t alks
that social (root cloud) me
diocrity grieves aloud the
clothes que no se ven ah
glass sidewalk reckless un
der the daggers entre la en
ajenación circling sleep rh
etoric from such spurned d
epths (root hair) de lo inper
ceptible flaming trashcans pro
test mil itarized gas oppression’s
mind film white is it a loft?  a
bismándose en el aire?  bro
ckcken lection ,shooting , man
nered eternity hacia un secreto
de pie armed domes tication ,s
idewalk “circling” in an inch of
rust (root shoe) en el vacío del
jacarandá whole cess wor ds di
rect the loam mound de una mel
ancolía mirrored flames spun the
math’s blank sp here desde la me
moria de la nada ref lex loca tions
fl ashing as bestos (root gun) be
tween the lines el mi smo anhelo
sube y sube t urned violence in t
he housing proj ection failed on
the r iver ban k (root ceiling) ,es
e silencio sin tiempo ,riots ,tel
evision uccess lifestyle’s aban
doned s laughter about the hea
vy worm y lo imposible de las
voces designed with indi fference’s
average written passion ,darkened
(root hole) en la más
cara ,consumptive medidas you
forgot to mail ,the veil media
falling apart plum meting like b
lack salt o una ceniza de pedrerías

the letter written spectacle
que solemos perder en el
río que no inmuniza

Made with parts from Jim Leftwich,
Six Months Aint No Sentence, Book 94, 2014;
Ivan Argüelles, “ilion , beta”, 2014; and
Juan L. Ortiz, La orilla que se abisma, 1970.


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